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Literature


Adajian, T (2008) ,The Definition of Art’, in The Stanford Encyclopedia of Philosophy (Fall 2008 Edition), Zalta, EN (ed.), http://plato.stanford.edu/archives/fall2008/entries/art-definition/.

Beardsley, M (1982) ‚The Aesthetic Point of View’, Cornell University Press, Ithaca, New York.

Benovsky, Jiri 2020 ‚The Limits of Art. On borderline cases of artworks and their aesthetic properties’, Heidelberg/Berlin: Springer.

Benovsky, Jiri (forthcoming) ‚Erotic art as proprioceptive art’, in British Journal of Aesthetics.

Carù, A., & Cova, B. (2007) ‚Consuming experience ’, London, UK: Routledge.

Conroy, Christina (2015) ‚The Vertical Tango: The Aesthetics of Rock Climbing’, Presentation at the International Association for the Philosophy of Sport, 43rd Annual meeting, Cardiff, Wales, September 2–5, 2015.

Danto, A. (1964) ‚The Art World’, The Journal of Philosophy 61: 571–584.

Dickie, G. (1969) ‚Defining Art‘, American Philosophical Quarterly 6(3): 253–56.

Höller, C. (2006) Interview here

Levinson, Jerrold (1979) ‚Defining Art Historically‘, Journal of Aesthetics 19: 232–250 Familienähnlichkeit.

Lukas, S. A. (2008) ‚Theme park‘, London, UK: Reaktion Books.

Lynn, S. (2006) ‚Fantasy lands and kinesthetic thrills. The Senses and Society ‘, 1:3, 293-309, DOI: 10.2752/174589206778476289.

Montero, B. (2006) ‚Proprioception as an Aesthetic Sense‘, The Journal of Aesthetics and Art Criticism 64:2.

Nguyen, C. Thi ‚The aesthetics of rock climbing‘, The Philosophers‘ Magazine 31.12.18: http://www.philosophersmag.com/essays/170-the-aesthetics-of-rock-climbing.

Ritchie, J. B. & Carruthers, P (2015) ‚The Bodily Senses‘ in OUP HB Perception.

Schrenk, M. 2014 ‚Is Proprioceptive Art Possible?’ in Graham Priest and Damon Young (Hrsg.): Anthology on the Philos-ophy of Martial Arts. Routledge (2014) 101–116.

Shusterman, Richard (2008) ‚Body Consciousness: A Philosophy of Mindfulness and Somaesthetics‘, Cambridge: Cambridge University Press.

Shusterman, Richard (2020) ‚Merleau-Ponty’s Somaesthetics‘, Critique d’art [Online], 37 | Printemps 2011, Online since 14 February 2012, connection on 28 November 2020. DOI: 10.1111/j.1540-6245.2009.01343.x.

Spence, C. (2020) ‚Senses of space: Designing for the multisensory mind‘, Cognitive Research: Principles & Implications (CRPI), 5:46. DOI: 10.1186/s41235-020-00243-4, https://rdcu.be/b7qIt.

Spence, C. (2021) ‚Sensehacking: How to use the power of your senses for happier, heathier living‘, London, UK: Viking Penguin. https://www.penguin.co.uk/books/308513/sensehacking/9780241361139.html.

Weitz, Morris (1956) ‚The Role of Theory in Aesthetics‘, The Journal of Aesthetics and Art Criticism 15.1: 27–35.

For the the exhibition „Welt ohne draußen“ see here